Talks and Performances

Animating Surfaces
THE WAREHOUSE
11 January 2020 | SAT
5:30PM — 6:30PM

Participating artists Tada Hengsapkul and Sonya Lacey deal with found narratives and materials through forms of abstraction and animation. They  will join co-curator Tan Guo-Liang to discuss their artistic practices and to  share the making of their artworks for the exhibition.

A Window into Performance Art History: SAAP Open Studio
THE ARCHIVE
18 January 2020 | Sat
1:30PM — 2:30PM

Koh Nguang How and co-curators Cheong Kah Kit and Selene Yap come together for a conversation about Koh’s involvement and activities around the documentation and narration of Singapore’s performance art history through the Singapore Art Archive Project (SAAP).

Order and Disorder: Cinema and the Archive
THE ARCHIVE
1 February 2020 | Sat
1:30PM — 2:30PM
Speaking from institutional and artistic positions, Nguyễn Trinh Thi, Toh Hun Ping and AFA film programmer Thong Kay Wee will share their views on archiving and activating the filmic, and how these processes are capable of generating alternative histories. The discussion will be moderated by researcher/writer Cheng Jia Yun.
Giving Manna to the Ghosts - A Performance Lecture
THE WAREHOUSE
1 February 2020 | Sat
5:30PM — 6:30PM

The performance lecture is a continued response to the personal Eurasian folk stories explored in the film, Saudade. Through a reconstruction of three short tales, filmmaker Russell Morton examines stories passed down to him from his family and imagines their shared origins and histories through three objects.

Topography of Breath
THE WAREHOUSE
12, 19 January 2020 | Sun
5:30PM — 6:00PM
2 February 2020 | Sun
5:30PM — 6:30PM
Catch Pat Toh’s new performative work for the exhibition. The final session will include a post-performance discussion with performing artist and theatre practitioner, Noor Effendy Ibrahim where the two will share insights focused on the use of the body in performance. This conversation provides an introduction to Toh’s movement practice and Effendy’s responses to it, illuminating the affinities between their approaches to performance making.